Play, watch and download Taintlight video (Duration: 01:58), you can convert to mp3, mp4, 3gp, flv, webmg this Taintlight video for free and easy download, and can. Regarder Taintlight (2009) - Toutes les infos sur le film complet Taintlight en fran Twilight Dawning for Taintlight Parody. Posted on August 20, 2009 by Foywonder. Am I the only one shocked that The.
Facebook; Google; Twitter; Pel. Opciones online Opciones de descarga T. Download the Taintlight 2009 DVDRip XviD-VoMiT-SHAREZONE Torrent or choose other Verified Torrent downloads for Free with TorrentFunk. Skip to Content Skip to Wiki Navigation Skip to Site Navigation. The tale of Stella, a young girl who falls in love with an ancient, beautifully-behaired bloodsucker named Edgar. They struggle to stay together in the midst of.
Still Seaver, Still Insane: Taintlight/I Spit Chew on Your Grave. He remains an enigma in a realm he more or less jumpstarted. Before the web gave every wannabe auteur an audience and a DIY distribution means of get their moviemaking message across, Chris Seaver was tearing spit up with a scrotal vengeance.
Now, almost 2. 0 years after introducing the outsider realm to Teen. Ape, Mr. Bonejack, Phil the Demon and The Karaoke Kid, the driving force behind Low Budget Pictures is offering his latest insane creations. One will seem very similar to lovers of a certain adolescent vampire romance. The other offers one of the most bizarre - and therefore wholly satisfying - experiments in the miscreant maverick’s years behind the lens. If you’re looking for the Chris Seaver of old, the man who works in curse words and sexual innuendos the way Duff Goldman plays in pastry and proto- punk soul patch goofiness then look no further than Taintlight, his take on the Stephenie Meyer stupidity. You really do have to know the terrible movie version of Twilight (and in many ways, the equally offensive il- literary source material) to get where this sleaze- ball spoof is coming from.
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Seaver has incorporated as many of the meaningful beats as possible while mocking others his budget (the infamous near car crash) and aesthetic (vampire baseball?) won’t allow him to touch. At its core, Taintlight ridicules the endless love angle of Meyer’s manipulative teen angst trash while adding lots of the director’s patented scatology. The original is nothing more than a Harlequin romance retrofitted for Goth gals, spinsters, and cat ladies who don’t care about essential fiction elements like characterization, plotting, or depth. Instead, he intends to use his Low Budget Pictures company to cash in on all the hopeless hysteria and hype. As his leads, Meredith Host is her dependable self as the rote romantic Stella. In many ways, she’s a better Bella because she’s not so inert and numb as her cinematic/storybook other.
Even better is Kurt Indovina as Edgar. With his Eraserhead hairdo, tendency toward pouting, and hopelessly livered lips, he is the perfect object de amore/subject of relentless ridicule. In fact, all the vampires here are hopelessly inept, especially the clan of “evil” neckbiters highlighted by a hilarious turn from Jesse Green as main baddie Razor Mc. Bleed. Sure, Seaver digs deep into his pop culture kit to turn AJ Stabone’s werewolf into a Michael Jackson loving lycanthrope, but overall, the performances really pitch this material as a lovely lampoon. Of course, one needs to remember that this is still an LBP production.
There will be elements that remain underdeveloped and issues that come from Seaver’s lack of say in such a . Still, you can sense a filmmaker desperate to break free of the past, to avoid the repetition of his previous oeuvre and strive for something new (more on this in a moment).
Instead, Taintlight acts like a buffer between old time lovers of Seaver’s retrofitted regression and those new to the whole Low Budget universe. For those without a Twilight clue, the film will be meaningless. It will play like a bunch of amateurs bumbling around making fun of a piece of pop culture desperation. But if you know the origins and . Taintlight is not one of Seaver’s finest, but it can definitely sit alongside his often inspired misses. On the other hand, I Spit Chew on Your Grave is a friggin’ masterpiece.
It easily vaults to the top of the LBP pantheon, easily challenging classics like Mulva: Zombie Ass Kicker, Destruction Kings, Filthy Mc. Nasty, and the Heather and Puggly films for cinematic superiority. That Seaver has never done anything quite like this exercise in ersatz exploitation is proof that the man has major room to grow and expand his moviemaking mannerisms. The narrative offers a Labyrinth- inspired villain, Jareth, training his team of sexual assassins (Honey Lips, Love Juice, and Balls Deep - also known as the “Gash Nasties”) to seduce, rape, and murder rich men. He will then use the money to open a chain of naughty nightclubs where even more debaucherous business can take place. Recent lottery winner Leo De.
Champ. The bumpkin with a bundle seems like the perfect mark for Jareth’s wicked women, but this is one redneck who’s not about to part with his ill- gotten gambling gains. In a perfect world, I Spit Chew on Your Grave would be heralded as the second coming of independent art. It would be acknowledged as both a loving tribute to the grindhouse conceit that so many have struggled to recreate as well as a loogie in the face of every lover of such old school sleaze. Seaver, allowing his fevered imagination to run rampant, claims to be riffing on the Joe Bob Briggs’ beloved exploitation excuse I Spit on Your Grave. But the truth is that this is a wholly original work, reminiscent of the titles of old while laying claim to its own unique vision of vice.
Moving at a million miles a minute, Chew takes on everything from titillation to terrible stand- up comedy. It offers buxom babes but little lewdness, trading funny business for flesh time and time again, and just when you thought things couldn’t get any weirder, the director shows up as one of the most hideous, hilariously ugly characters in all of Bonejack Heights. Certainly there will be some who bristle at the whole . It believes in its crazy format, follows it through with effortless abandon, and offers performances wedged precariously between tacky and terrific. Even better, a fair amount of post- production tweaking has taken place, giving the entire movie the look and feel of a fornicating Four D Witch psyche- out! If you want to see where Chris Seaver and his LBP network came from, check out Taintlight. If you want to see where it is (hopefully) headed, I Spit Chew on Your Grave offers an inspired insight of the sensational shape of things to come.
I Spit Chew on Your Grave Rating: Since deciding to employ his underdeveloped muse muscles over five years ago, Bill has been a significant staff member and writer for three of the Web's most influential websites: DVD Talk, DVD Verdict and, of course, Pop. Matters. He also has expanded his own web presence with Bill Gibron. It is here where you can learn of his love of Swindon's own XTC, skim a few chapters of his terrifying tome in the making, The Big Book of Evil, and hear samples from the cassette albums he created in his college music studio, The Scream Room.